Key Years

I've mentioned how I'm frequently rereading books and comics, or rewatching shows, that I've liked in the past, but I've been thinking lately about which media I'm consuming and what times these things are from. I've narrowed it down to three main periods that I keep revisiting, in some way or other. They are, plus or minus a couple of years, 1995 and 2002 and 2013.

The stuff from 1995 seems to be mostly music, comics and TV shows. From 2002 it's mainly books, and extending to around 2004-05 it's music. And finally, 2013 is associated mostly with books.

When I noticed this pattern I started thinking about why I kept coming back to these years, and the best I can come up with is that they were particularly key years, though usually for very different reasons.

1995 is associated with the best time in Britpop, which isn't just when I was experiencing exciting new music but also forming my self-image as a "European". I was getting more interested in European history (especially World War II) and languages, and starting to imagine what my life would be like when I could live on my own.

That interest in Europe and Britain in particular took in Premier League football, and the British comics I was discovering at the time. Of course, by 1995 Neil Gaiman's run on the Sandman was ending and Garth Ennis had finished his run on Hellblazer, but because I discovered those books around that time (actually even a tiny bit earlier) I associate them with the period. By the same token, I didn't read Grant Morrison's Invisibles until a few years later, but rereading the collections now I see how much that book was a product of its time: 1995.

The other thing I was into at around that time was Star Trek, so I can't help but associate that year with Deep Space Nine, in particular. In fact, I've already noted how my most recent rewatch had me remembering the first time I saw those episodes, i.e. 1995-97, rather than the second time in 2006 or so. About which more anon.

2002 is another key year because I'd just started my first job and was reveling in the actual circumstances of being a young adult on my own for the first time. I'd also gotten into travel, which meant I was fixated on travel writing in a big way. In a way every time I reread my beloved Bill Bryson or Paul Theroux books, I'm revisiting that period, when the world was opening itself up to me in a way that hadn't been possible when I was a kid and when I didn't have a monthly paycheck to finance such gallivantings.

In terms of music, 2002 itself was a little barren but by the end of that year I'd discovered the resurgence of guitar bands that had begun with the Strokes and the White Stripes. I was discovering new bands, both from the UK (like British Sea Power) and, in a first for me, from the US (like Interpol). At the same time, I was also discovering a lot of the older music that was influencing what I was discovering then, so I picked up Morrissey's post-Smiths back catalog, for instance, or Joy Division and New Order.

The next one is 2013, which isn't so much a year of a big transition as it was of a new feeling: actually being good at shit. In 2011 and to a greater extent in 2012 I'd found my feet at work much more than I ever had previously, and this trend carried on in 2013. I don't remember the football so much, and I'd kind of lost the thread of newer music by then, but what sticks with me most from that time is travel and history books. I've already written about it, but there was a whole sub-genre of books mostly by white male British writers extolling the wonders of one specific Northern European country, be it Germany, Switzerland or Denmark, and I was having it all.

The ones about Germany all seem to have hit around the same time, though I didn't read them all when they came out. However, I reread Germania by Simon Winder last year (preparatory to reading Lotharingia, his latest, this year), and I've reread Keeping Up with the Germans, by Philip Oltermann, several times since I bought it in 2014. Honestly, I'm kind of twitching with the junkie-like need to read it right now, although that might also be related to my Europe withdrawal, a result of not being able to get on a plane and go to London and Italy because of this stupid pandemic.

My 2013 nostalgia, by the way, is also manifesting in a desire to finish series I began or was in the middle of during that year. Last year I caught up with Ian Tregillis's alternate WWII trilogy, The Coldest War, and with Jasper Kent's Danilov Quintet, for example, and I'm still working on James SA Corey's The Expanse, though there wasn't a gap with those books as big as with the Tregillis or Kent books.

Now, it's also interesting to think about why certain years don't loom as large. 1997-98 is one, given that I'd just started college and was getting into a bunch of new music (namely all the gloomy Manchester bands from the 80s). 2006 is the other, since I'd just graduated from graduate school and returned to London to start Phase 2 of my working life.

For the former, the music just became part of my mental furniture and I've rarely been away from the Cure, the Smiths and whatever else I was listening to then. For the latter, all the bands that had become exciting in 2002-04 suddenly started releasing boring second albums. I watched a bunch of TV that was perhaps more admirable than lovable (e.g. Battlestar Galactica); or I started the big Star Trek rewatch that essentially continues now. And in terms of books, I have vague memories of a bunch of disappointing British SF novels and waiting for the next George RR Martin book to come out (which didn't happen until 2010).

Memory is a funny thing, of course. We all remember where we were when we heard about momentous events, but we also reconstruct otherwise meaningful times in our lives. By focusing in on those three periods, I can draw some conclusions about what was going on that perhaps resonates now, though it's best not to read too much into it - I could easily point to nostalgia for other books and series I was reading at the time, for instance.

Though I wonder if other people are so fixated on books, music and other media from similar significant periods in their lives, or if it's just because as an SFF writer I'm always chasing the high I got from reading favorite classics of the genre?